Essays
The Tide Maintains its Own Pace
The Close-Up Reveals Nothing
Interview with Cameron Granger for Poetry Project
How can one ever claim to seek clarity in these waters?
Expression of Gratitude
Cultivating a Practice Rooted in Process
The Self is Made Bare
Mementos of Desire
Interstitial
It is mine to give or withhold
Review-Black Gathering: Art, Ecology, Ungiven Life
The Record Goes On
Through Fractured Realities, Ways of Knowing Emerge
Wholeness is a Fiction: On Pope.L.’s Exhibition Hospital
Can there be unity in fragmentation?
Gestures of Interiority: Carmen Neely's Sometimes a Painting is a Prayer
Opacity as Possibility: Only When it's Dark Enough Can You See the Stars
Forecast Form: Art in the Caribbean Diaspora, 1990’s - Today
Beyond Tropical: New Approaches to Jamaican Contemporary Art
Not Enough Pressure at the 2022 Kingston Biennial
Speculation: Notes on the Work of Ada Patterson and Arnaldo James
"Nocturnes" - Jennie C. Jones
Considering Movement: Notes on the Elevate Chicago Dance Festival
Handle With Care: Ebony Patterson’s …and babies too…
What Lies in the Bush and Lingers in The Trees
Interview with Artist Jennifer Harge
Gradients of Detail Reflections on Zanele Muholi’s Somnyama Ngonyama (Hail the Dark Lioness)
Being Otherwise: Notes on Black Feminist Relationality in Sola Olulode’s Where The Ocean Meets The B
The Labor of Care: Faheem Majeed and the Seldom’s Performance “Push/Pull”
Devising as Possibility in Links Hall’s Links Lab Project
Exhibition Review of “AND I RESUMED THE STRUGGLE”
Remembering bell hooks
