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    <loc>https://www.gervaismarsh.com/about</loc>
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      <image:title>About - “My work is inspired by the beautiful, difficult, and nuanced ways that Black people forge space and understand themselves in the world.”</image:title>
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    <loc>https://www.gervaismarsh.com/work/notes-from-vega</loc>
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      <image:title>Work - Notes from Vega</image:title>
      <image:caption>Photo Credit: Arda Asena</image:caption>
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      <image:title>Work - Notes from Vega</image:title>
      <image:caption>Photo Credit: Arda Asena</image:caption>
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      <image:title>Work - Notes from Vega</image:title>
      <image:caption>Photo Credit: Arda Asena</image:caption>
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    <loc>https://www.gervaismarsh.com/work/sola-olulode</loc>
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    <lastmod>2022-05-06</lastmod>
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      <image:title>Work - Being Otherwise: Notes on Black Feminist Relationality - Sola Olulode</image:title>
      <image:caption>Entwined, 2020 Ink, oil, and wax on canvas Courtesy the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7dd45ae0-0a55-40fd-8f80-94827eaf72ad/Copy-of-Sola-Olulode-The-Feels-2019.jpeg</image:loc>
      <image:title>Work - Being Otherwise: Notes on Black Feminist Relationality - Sola Olulode</image:title>
      <image:caption>The Feels, 2019 Ink, acrylic, pastel, and wax on canvas Courtesy the artist</image:caption>
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      <image:title>Work - Being Otherwise: Notes on Black Feminist Relationality - Sola Olulode</image:title>
      <image:caption>Laying in the Grass 1, 2020 Ink, oil, oil pastel, oil bar, charcoal, and wax on canvas Courtesy the artist</image:caption>
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      <image:title>Work - Being Otherwise: Notes on Black Feminist Relationality - Sola Olulode</image:title>
      <image:caption>In the Middle, 2018 Oil, acrylic, oil pastel, wax, charcoal, and collage on canvas</image:caption>
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      <image:title>Work - Being Otherwise: Notes on Black Feminist Relationality - Sola Olulode</image:title>
      <image:caption>Eternal Light, 2020 Ink, acrylic, and wax on canvas Courtesy the artist</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/chicago-freedom-school-hct7b</loc>
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    <lastmod>2022-05-06</lastmod>
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      <image:title>Work - Chicago Freedom School - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/ruckus-journal</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-06</lastmod>
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      <image:title>Work - Ruckus Journal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/south-side-community-art-center</loc>
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    <priority>0.5</priority>
    <lastmod>2023-01-23</lastmod>
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      <image:title>Work - South Side Community Art Center - Make it stand out</image:title>
      <image:caption>Mikki Ferrill, Untitled (Portrait of Terry Readus), 1973</image:caption>
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    <loc>https://www.gervaismarsh.com/work/faheem-majeed</loc>
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    <priority>0.5</priority>
    <lastmod>2022-10-14</lastmod>
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      <image:title>Work - The Labor of Care: Faheem Majeed and the Seldom’s Performance “Push/Pull”</image:title>
      <image:caption>Photo credit for both images: Ciera Alyse McKissick</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/heather-brammeier-maybe-never</loc>
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    <priority>0.5</priority>
    <lastmod>2023-01-26</lastmod>
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      <image:title>Work - Heather Brammeier: Maybe Never</image:title>
      <image:caption>Photo Credit: Tom Van Eynde</image:caption>
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      <image:title>Work - Heather Brammeier: Maybe Never</image:title>
      <image:caption>Photo Credit: Tom Van Eynde</image:caption>
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    <loc>https://www.gervaismarsh.com/work/ebony-patterson-wg5gd</loc>
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    <priority>0.5</priority>
    <lastmod>2022-12-28</lastmod>
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      <image:title>Work - Handle With Care: Ebony Patterson’s …and babies too… - Make it stand out</image:title>
      <image:caption>Jacquard woven photo tapestry with digitally embroidered appliqués, hand-embellished cast glass shoes, and toys; fabric-covered papier-mâché balloons, 3.8 x 13.6 x 5 feet</image:caption>
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    <image:image>
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      <image:title>Work - Handle With Care: Ebony Patterson’s …and babies too… - Make it stand out</image:title>
      <image:caption>detail from “…and babies too…,” by Ebony G. Patterson</image:caption>
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    <image:image>
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      <image:title>Work - Handle With Care: Ebony Patterson’s …and babies too…</image:title>
      <image:caption>detail from “…and babies too…,” Ebony G. Patterson</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/jenniejones-wg5gd-3seg5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/ab041ebb-cf9b-4a9a-8a4c-b52ca63568f5/red+tone.jpg</image:loc>
      <image:title>Work - “Nocturnes” — Jennie C. Jones - Make it stand out</image:title>
      <image:caption>Red, Tone #6/Acrylic on canvas, board and architectural felt/30 × 30.5 × 1.5 in/2021</image:caption>
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    <image:image>
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      <image:title>Work - “Nocturnes” — Jennie C. Jones - Make it stand out</image:title>
      <image:caption>Dawn Hum/Acoustic panel, architectural felt, and acrylic on canvas/48.25 × 36.25 × 3.5 in/2022</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/316418df-c1f2-4d53-b8da-ca9e63b1c416/nocturne1.jpg</image:loc>
      <image:title>Work - “Nocturnes” — Jennie C. Jones</image:title>
      <image:caption>Nocturne 1 &amp; 2/Acoustic panel, architectural felt, and acrylic on canvas/48 × 36 × 3 in/2022</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/interviewharge-wg5gd-3seg5-ytrek</loc>
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    <priority>0.5</priority>
    <lastmod>2023-01-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/904176c0-3ffd-492e-a119-eb85b234344d/DSC_0177.jpg</image:loc>
      <image:title>Work - Interview with Movement Artist Jennifer Harge - Make it stand out</image:title>
      <image:caption>Jennifer Harge performing as nyeusi in FLY|DROWN. All the photos are courtesy of Devin Drake</image:caption>
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    <image:image>
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      <image:title>Work - Interview with Movement Artist Jennifer Harge - Make it stand out</image:title>
      <image:caption>Jennifer Harge performing as nyeusi in FLY|DROWN. All the photos are courtesy of Devin Drake.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Work - Interview with Movement Artist Jennifer Harge</image:title>
      <image:caption>Jennifer Harge performing as nyeusi in FLY|DROWN. All the photos are courtesy of Devin Drake</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/remembering-bell-hooks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2d172c5b-9791-487e-afca-c0b7f7d3f123/bellhooks2.png</image:loc>
      <image:title>Work - Remembering bell hooks</image:title>
      <image:caption>bell hooks</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/strategies-to-escape-the-eyes-of-the-state</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/03d58f7f-b052-44f4-88a0-836439625e81/Screen+Shot+2022-05-06+at+12.56.53+PM.png</image:loc>
      <image:title>Work - Strategies to Escape The Eyes of The State</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2d2a1dce-2e10-4d3a-910c-403eab89587d/Screen+Shot+2022-05-06+at+1.08.44+PM.png</image:loc>
      <image:title>Work - Strategies to Escape The Eyes of The State</image:title>
      <image:caption>Screenshot. “Passa Passa #30- Kingston, Jamaica pt.1.” June 8, 2018.</image:caption>
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    <image:image>
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      <image:title>Work - Strategies to Escape The Eyes of The State</image:title>
      <image:caption>Elmina Castle, Ghana - Gervais Marsh 2020</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/the-impasse-of-blackness-interrogating-the-possibility-of-resolution</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-06</lastmod>
    <image:image>
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      <image:title>Work - The Impasse of Blackness: Interrogating the Possibility of Resolution</image:title>
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  <url>
    <loc>https://www.gervaismarsh.com/work/and-i-resumed-the-struggle</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-07</lastmod>
    <image:image>
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      <image:title>Work - And I Resumed the Struggle</image:title>
      <image:caption>Above: Brad Pinnock | Race Apocalypse | Mixed media collage on paper, wooden chair | 96 x51.5 inches | 2021.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a189c55a-7b90-4972-a3c9-489f2a758cad/sugarcane+3.jpeg</image:loc>
      <image:title>Work - And I Resumed the Struggle - Make it stand out</image:title>
      <image:caption>Above: Petrona Morrison | Covid Diaries I and II | Digital Collage | 60 x 40 inches | 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/733b1f44-3d0c-4c4d-b7d3-607466ad6135/sugarcane2.jpeg</image:loc>
      <image:title>Work - And I Resumed the Struggle - Make it stand out</image:title>
      <image:caption>Above: Tevin Lewis | It’s Always Sunny Tomorrow with Fossil Bites and Monosementa | mixed media | Size Variable | 2021.</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/zanele-muholi-gradients-of-detail-pzyfj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/ffe53b0f-2b18-4019-9f81-6a6fa0addf5c/zanelemuholi2.jpg</image:loc>
      <image:title>Work - Gradients of Detail: Reflections on Zanele Muholi’s Somnyama Ngonyama (Hail the Dark Lioness)</image:title>
      <image:caption>Above: Zanele Muholi | Ndiville II | Gelatin silver print | 23 1/2 x 18 1/4 inches | 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/06cffdd7-acdf-4183-8d71-124dca6bfa00/zanelemuholi4.png</image:loc>
      <image:title>Work - Gradients of Detail: Reflections on Zanele Muholi’s Somnyama Ngonyama (Hail the Dark Lioness) - Make it stand out</image:title>
      <image:caption>Above: Zanele Muholi | Bester VIII| Site-specific photographic mural | Dimensions variable | 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/1bb96beb-55c1-4414-9b0e-60119a8ebc36/zanelemuholi3.png</image:loc>
      <image:title>Work - Gradients of Detail: Reflections on Zanele Muholi’s Somnyama Ngonyama (Hail the Dark Lioness) - Make it stand out</image:title>
      <image:caption>Above: Zanele Muholi | MaID I | Gelatin silver print | 15 3/4 x 12 1/2 inches | 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7d1f093b-85b8-4abc-8248-918d3de328e0/zanelemuholi5.jpg</image:loc>
      <image:title>Work - Gradients of Detail: Reflections on Zanele Muholi’s Somnyama Ngonyama (Hail the Dark Lioness) - Make it stand out</image:title>
      <image:caption>Above: Zanele Muholi/ Zodwa II /Gelatin silver print/ 15 3/4 x 12 1/2 inches/2015</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/what-lies-in-the-bush-pzyfj-2gshs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a9b5efa3-15e1-47ab-bbd6-91a09d0a3b04/Screen+Shot+2022-10-10+at+2.37.36+PM.jpg</image:loc>
      <image:title>Work - What Lies in the Bush and Lingers in The Trees - Make it stand out</image:title>
      <image:caption>‘A Deep Haunting,’ 2022, Charcoal, watercolours, distemper, logwood dye, oil, oil stick, collage, gesso on paper mounted on canvas, 26 x 34 x 1 3/4 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/485ddc4e-92c3-48b0-adce-83ddd99dfa6d/Screen+Shot+2022-10-14+at+5.17.03+PM.png</image:loc>
      <image:title>Work - What Lies in the Bush and Lingers in The Trees - Make it stand out</image:title>
      <image:caption>“Shut you mouth....with you little bit a money,” 2022, Charcoal, watercolour, distemper, logwood dye, Indigo dye, oil, oil stick, collage, gesso on paper mounted on canvas, 26 x 34 x 1 3/4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a14b8b56-1571-49a5-8973-c52f4249499f/Screen+Shot+2022-10-14+at+5.19.16+PM.png</image:loc>
      <image:title>Work - What Lies in the Bush and Lingers in The Trees - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7d140ff3-2081-4a81-bbb5-fad3acea98f6/Screen+Shot+2022-10-14+at+5.21.21+PM.png</image:loc>
      <image:title>Work - What Lies in the Bush and Lingers in The Trees - Make it stand out</image:title>
      <image:caption>“A street becomes a stage (Anansi #13)”, 2021 Charcoal, watercolour, distemper, indigo dye, logwood dye, oil, oil stick, collage, gesso on paper mounted on canvas, 52 x 67.5 x 1.75 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/159859a9-25c3-4cea-bb13-4196611d3658/Screen+Shot+2022-10-14+at+5.23.10+PM.png</image:loc>
      <image:title>Work - What Lies in the Bush and Lingers in The Trees - Make it stand out</image:title>
      <image:caption>‘...all that moved like a flood in him when we lay together at night (Anansi #12),’ 2020, Charcoal, watercolours, distemper, coffee, oil, collage, gesso on paper mounted on canvas, 52 x 67.5 x 1.75 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/work/considering-movement-pzyfj-2gshs-kfg4k</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a2d370ea-9b0e-41ea-854b-52a179971ea4/JukeForLiberation10.14.22-64+Ricardo+E+Adame.jpg</image:loc>
      <image:title>Work - Considering Movement: Notes on the Elevate Chicago Dance Festival - Make it stand out</image:title>
      <image:caption>“Juke for Liberation” by Christopher “Mad Dog” Thomas / Kuumba Lynx at Segundo Ruiz Belvis Cultural Center | October 14, 2022 | Photo by Ricardo E Adame</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/1daff868-a339-40f0-baee-901b892b6e7b/Screen+Shot+2022-12-31+at+1.58.46+PM.png</image:loc>
      <image:title>Work - Considering Movement: Notes on the Elevate Chicago Dance Festival - Make it stand out</image:title>
      <image:caption>“Force: An opera in three acts”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/e4bc2c5c-e9a5-47a8-9880-96a626414189/Screen+Shot+2022-12-31+at+2.16.24+PM.png</image:loc>
      <image:title>Work - Considering Movement: Notes on the Elevate Chicago Dance Festival - Make it stand out</image:title>
      <image:caption>“In Lieu of Flowers” by Kia S. Smith / South Chicago Dance Theatre at Mana Contemporary| October 15, 2022 | Photo by Ricardo E Adame</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/bae63210-5ba4-4fde-b22b-cb0086d1625f/TheFunction10.15.22-31+Ricardo+E+Adame.jpg</image:loc>
      <image:title>Work - Considering Movement: Notes on the Elevate Chicago Dance Festival - Make it stand out</image:title>
      <image:caption>“the Function” by Erin Kilmurray and collaborators at Mana Contemporary | October 15, 2022 | Photo by Ricardo E Adame</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/e32ca6fc-9293-44c0-be16-cd03b27349cf/Screen+Shot+2022-12-31+at+2.21.31+PM.png</image:loc>
      <image:title>Work - Considering Movement: Notes on the Elevate Chicago Dance Festival - Make it stand out</image:title>
      <image:caption>““We praise mother while We be FAST” by Aaliyah Christina at Big Marsh Park| October 16, 2022 | Photo by Ricardo E Adame</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/347defee-3699-4879-b3ef-3d5b841e8cea/Screen+Shot+2022-12-31+at+2.25.11+PM.png</image:loc>
      <image:title>Work - Considering Movement: Notes on the Elevate Chicago Dance Festival - Make it stand out</image:title>
      <image:caption>“The Axe Forgets, The Tree Remembers” by Ysayë Alma at Big Marsh Park| October 16, 2022 | Photo by Ricardo E Adame</image:caption>
    </image:image>
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  <url>
    <loc>https://www.gervaismarsh.com/work/kingston-biennial-pzyfj-2gshs-nz6j8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/cb658e54-0c61-470f-bf73-362bb8d0af6d/Screen+Shot+2023-01-04+at+9.46.13+AM.png</image:loc>
      <image:title>Work - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Katrina Coombs, “Apocalypse, Lifting of the Veil” (2021), performance still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/d2558cc4-d27c-459e-85a6-c333bc02c8ed/Screen+Shot+2023-01-04+at+9.41.47+AM.png</image:loc>
      <image:title>Work - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Ricardo Edwards, "Ghetto Boy Trying to Fly" (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/3e7bef07-92f6-4d41-a033-a98348e284c1/Screen+Shot+2023-01-04+at+9.50.27+AM.jpg</image:loc>
      <image:title>Work - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Camille Chedda, “Untitled” (2020)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/25706247-6744-4a81-8476-0a46b8736aff/Arthur+Simms+-+John+The+Baptist%2C+Prisoner+of+the+Earth+1992-93.jpg</image:loc>
      <image:title>Work - Not Enough Pressure at the 2022 Kingston Biennial</image:title>
      <image:caption>Arthur Simms, “John The Baptist, Prisoner of the Earth” (1992–93)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/93945268-d000-454d-9cee-bf265ee0c369/Kaleb+D%27Aguilar+-+TAUT+2021+%28Film+still%29.jpg</image:loc>
      <image:title>Work - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Kaleb D’Aguilar, TAUT (2021), film</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/57ca6468-475c-45ca-8964-297564508768/Leasho+Johnson+-+Gully+Creeper+%28Anansi+%234%29+2020.jpg</image:loc>
      <image:title>Work - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Leasho Johnson, “Gully Creeper (Anansi #4)” (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b57061f3-1f6d-465a-a0f2-d0c48b90190f/Nadine+Natalie+Hall+-+Heirlooms+Unchained+2020.jpg</image:loc>
      <image:title>Work - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Nadine Natalie Hall, “Heirlooms Unchained” (2020)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/656b7610-6f2d-45b7-bc33-6265242a7e8f/Monique+Gilpin+-+Venus+Figurines+2020.jpg</image:loc>
      <image:title>Work - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Monique Gilpin, Venus Figurines (2020)</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/speculation-notes-pzyfj-2gshs-nz6j8-jc6d7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b20058ea-ed94-4a6e-99e3-15daafe4995c/Echidna+i.jpg</image:loc>
      <image:title>Work - Speculation: Notes on the Work of Ada Patterson and Arnaldo James - Make it stand out</image:title>
      <image:caption>Ada M. Patterson, still from performance Echidna (2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/30343bfb-9b8e-47ae-a277-cbeea6470be6/Messenger+6.2+%281%29+11.30.46+AM.jpg</image:loc>
      <image:title>Work - Speculation: Notes on the Work of Ada Patterson and Arnaldo James - Make it stand out</image:title>
      <image:caption>Arnaldo James, Messenger 6.2, (2022)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/25fa0746-f575-4bc4-9fc2-91566175fdfb/Lookalook+ii.jpg</image:loc>
      <image:title>Work - Speculation: Notes on the Work of Ada Patterson and Arnaldo James - Make it stand out</image:title>
      <image:caption>Ada M. Patterson, still image from performance Lookalook (2018)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7a6a3f02-5830-451c-9114-c67f99879e94/Messenger+5.1+11.30.46+AM.jpg</image:loc>
      <image:title>Work - Speculation: Notes on the Work of Ada Patterson and Arnaldo James</image:title>
      <image:caption>Arnaldo James, Messenger 5.1 (2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/46a5ca32-7505-41c2-9a9f-209822450306/AM+Patterson%2C+Captain%2C+from+%27Looking+for+%27Looking+for+Langston%27%2C%27+2019.+%281%29.jpg</image:loc>
      <image:title>Work - Speculation: Notes on the Work of Ada Patterson and Arnaldo James - Make it stand out</image:title>
      <image:caption>Ada M. Patterson, still from film Looking for “Looking for Langston” (2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/fb376080-1c15-4795-b61b-4b59311b4e50/Messenger+9.2+11.30.46+AM.jpg</image:loc>
      <image:title>Work - Speculation: Notes on the Work of Ada Patterson and Arnaldo James - Make it stand out</image:title>
      <image:caption>Arnaldo James, Messenger 9.2 (2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b69e2ebc-e5ff-49d6-ab3c-f7e70452e4c0/Messenger+7.3+11.30.46+AM.jpg</image:loc>
      <image:title>Work - Speculation: Notes on the Work of Ada Patterson and Arnaldo James - Make it stand out</image:title>
      <image:caption>Arnaldo James, Messenger 7.3 (2022)</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/work/devising-as-possibility</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/f87bb905-a442-4331-9db9-e5cd63d66357/LinksLab2.jpeg</image:loc>
      <image:title>Work - Devising as Possibility in Links Hall’s  Links Lab Project - “Devising is how I interpret the world […] Understanding that it’s ok for things to be unknown. That’s the power of the limitlessness that can be creating through devising.”</image:title>
      <image:caption>—Selena Lasley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a201d559-bf24-40ba-83f8-e7669435e58c/LinksLab5.jpeg</image:loc>
      <image:title>Work - Devising as Possibility in Links Hall’s  Links Lab Project</image:title>
      <image:caption>Image: Mattie Switzer and Selena Lasley, members of Links Lab Team A, during a rehearsal session at Links Hall. Switzer is sitting on the ground and Lasley is beside her, bending over and looking at circles of light shining onto the studio floor. There is a ladder in the forefront of the image, behind the artists and a multicolored image projected onto the studio wall in front of them. Photo by Gervais Marsh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/9a232d53-b281-4975-b38c-aa9d5aad3dc3/devising.jpeg</image:loc>
      <image:title>Work - Devising as Possibility in Links Hall’s  Links Lab Project</image:title>
      <image:caption>Image: Spence Warren and Courtney Mackedanz, members of Links Lab Team B, during a rehearsal session at Links Hall. Mackedanz stands in front of a large wooden panel, facing Warren while lifting up a wooden stick that holds up a cloth with images covering it. Warren looks at Mackedanz, his left hand raised in the middle of a gesture. Photo by Gervais Marsh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/573f9895-a950-4be4-91ad-5a7a9547be4c/LinksLab1.jpeg</image:loc>
      <image:title>Work - Devising as Possibility in Links Hall’s  Links Lab Project</image:title>
      <image:caption>Featured Image: Selena Lasley and Christopher Knowlton, members of Team A, wear white coveralls. Each artist holds an orb that is lighting up in their right hand. The orbs are attached to a machine that tracks their movements as lights projected onto a wall, which they both face. There is a microphone stand in the foreground. Photo by Links Hall.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Work - Devising as Possibility in Links Hall’s  Links Lab Project</image:title>
      <image:caption>Image: Jasmin Taylor, a member of Team B, stands on her right toe point, lifts her left leg in the hair and leans her body back, with arms raised and open on either side. A guitar and microphone stand are in the background. “Links Lab” are written in bold red letters across the image. Photo by Links Hall.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-29</lastmod>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/forecast-form</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-06</lastmod>
    <image:image>
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    <image:image>
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    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/devising-as-possibility-in-links-halls-links-lab-project</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/f87bb905-a442-4331-9db9-e5cd63d66357/LinksLab2.jpeg</image:loc>
      <image:title>Essays &amp; Interviews - Devising as Possibility  in Links Hall’s  Links Lab Project - “Devising is how I interpret the world […] Understanding that it’s ok for things to be unknown. That’s the power of the limitlessness that can be creating through devising.”</image:title>
      <image:caption>—Selena Lasley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a201d559-bf24-40ba-83f8-e7669435e58c/LinksLab5.jpeg</image:loc>
      <image:title>Essays &amp; Interviews - Devising as Possibility  in Links Hall’s  Links Lab Project</image:title>
      <image:caption>Image: Mattie Switzer and Selena Lasley, members of Links Lab Team A, during a rehearsal session at Links Hall. Switzer is sitting on the ground and Lasley is beside her, bending over and looking at circles of light shining onto the studio floor. There is a ladder in the forefront of the image, behind the artists and a multicolored image projected onto the studio wall in front of them. Photo by Gervais Marsh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/9a232d53-b281-4975-b38c-aa9d5aad3dc3/devising.jpeg</image:loc>
      <image:title>Essays &amp; Interviews - Devising as Possibility  in Links Hall’s  Links Lab Project</image:title>
      <image:caption>Image: Spence Warren and Courtney Mackedanz, members of Links Lab Team B, during a rehearsal session at Links Hall. Mackedanz stands in front of a large wooden panel, facing Warren while lifting up a wooden stick that holds up a cloth with images covering it. Warren looks at Mackedanz, his left hand raised in the middle of a gesture. Photo by Gervais Marsh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/573f9895-a950-4be4-91ad-5a7a9547be4c/LinksLab1.jpeg</image:loc>
      <image:title>Essays &amp; Interviews - Devising as Possibility  in Links Hall’s  Links Lab Project</image:title>
      <image:caption>Featured Image: Selena Lasley and Christopher Knowlton, members of Team A, wear white coveralls. Each artist holds an orb that is lighting up in their right hand. The orbs are attached to a machine that tracks their movements as lights projected onto a wall, which they both face. There is a microphone stand in the foreground. Photo by Links Hall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/e8bfade2-f529-45dc-8ba5-19cc4719025a/LinksLab3.png</image:loc>
      <image:title>Essays &amp; Interviews - Devising as Possibility  in Links Hall’s  Links Lab Project</image:title>
      <image:caption>Image: Jasmin Taylor, a member of Team B, stands on her right toe point, lifts her left leg in the hair and leans her body back, with arms raised and open on either side. A guitar and microphone stand are in the background. “Links Lab” are written in bold red letters across the image. Photo by Links Hall.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/strategies-to-escape-the-eyes-of-state</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/03d58f7f-b052-44f4-88a0-836439625e81/Screen+Shot+2022-05-06+at+12.56.53+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Strategies to Escape the Eyes of State</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2d2a1dce-2e10-4d3a-910c-403eab89587d/Screen+Shot+2022-05-06+at+1.08.44+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Strategies to Escape the Eyes of State</image:title>
      <image:caption>Screenshot. “Passa Passa #30- Kingston, Jamaica pt.1.” June 8, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/f019195e-4bea-4591-94de-f91354591c05/Screen+Shot+2022-05-06+at+1.10.36+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Strategies to Escape the Eyes of State</image:title>
      <image:caption>Elmina Castle, Ghana - Gervais Marsh 2020</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/remembering-bell-hooks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2d172c5b-9791-487e-afca-c0b7f7d3f123/bellhooks2.png</image:loc>
      <image:title>Essays &amp; Interviews - Remembering bell hooks</image:title>
      <image:caption>bell hooks</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/exhibition-review-of-and-i-resumed-the-struggle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/87f38f4f-57d1-4538-8716-162499e14763/sugarcane.jpeg</image:loc>
      <image:title>Essays &amp; Interviews - Exhibition Review of “AND I RESUMED THE STRUGGLE”</image:title>
      <image:caption>Above: Brad Pinnock | Race Apocalypse | Mixed media collage on paper, wooden chair | 96 x51.5 inches | 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/733b1f44-3d0c-4c4d-b7d3-607466ad6135/sugarcane2.jpeg</image:loc>
      <image:title>Essays &amp; Interviews - Exhibition Review of “AND I RESUMED THE STRUGGLE” - Make it stand out</image:title>
      <image:caption>Above: Tevin Lewis | It’s Always Sunny Tomorrow with Fossil Bites and Monosementa | mixed media | Size Variable | 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a189c55a-7b90-4972-a3c9-489f2a758cad/sugarcane+3.jpeg</image:loc>
      <image:title>Essays &amp; Interviews - Exhibition Review of “AND I RESUMED THE STRUGGLE” - Make it stand out</image:title>
      <image:caption>Above: Petrona Morrison | Covid Diaries I and II | Digital Collage | 60 x 40 inches | 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/the-labor-of-care-faheem-majeed-and-the-seldoms-performance-pushpull</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/bc4c42c1-0d3d-4eba-a4f6-6935fb28ebab/IMG_6970%2B%281%29.jpeg</image:loc>
      <image:title>Essays &amp; Interviews - The Labor of Care:  Faheem Majeed and the Seldom’s Performance “Push/Pull”</image:title>
      <image:caption>Photo credit for both images: Ciera Alyse McKissick</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/new-portfolio-item-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7fdb7045-9092-4e30-b742-db11562dd0fe/Copy-of-Sola-Olulode-Entwined-2020.jpeg</image:loc>
      <image:title>Essays &amp; Interviews - Being Otherwise: Notes on Black Feminist Relationality in Sola Olulode’s Where The Ocean Meets The B</image:title>
      <image:caption>Entwined, 2020 Ink, oil, and wax on canvas Courtesy the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7dd45ae0-0a55-40fd-8f80-94827eaf72ad/Copy-of-Sola-Olulode-The-Feels-2019.jpeg</image:loc>
      <image:title>Essays &amp; Interviews - Being Otherwise: Notes on Black Feminist Relationality in Sola Olulode’s Where The Ocean Meets The B</image:title>
      <image:caption>The Feels, 2019 Ink, acrylic, pastel, and wax on canvas Courtesy the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a85d5ba1-d297-40bf-a433-b34e80f4209c/Copy-of-Sola-Olulode-Laying-in-The-Grass-2019.jpeg</image:loc>
      <image:title>Essays &amp; Interviews - Being Otherwise: Notes on Black Feminist Relationality in Sola Olulode’s Where The Ocean Meets The B</image:title>
      <image:caption>Laying in the Grass 1, 2020 Ink, oil, oil pastel, oil bar, charcoal, and wax on canvas Courtesy the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/e57a1d29-f434-4bea-be44-ff10e69d42fa/Copy-of-Sola-Olulode-In-the-Middle-2018.jpeg</image:loc>
      <image:title>Essays &amp; Interviews - Being Otherwise: Notes on Black Feminist Relationality in Sola Olulode’s Where The Ocean Meets The B</image:title>
      <image:caption>In the Middle, 2018 Oil, acrylic, oil pastel, wax, charcoal, and collage on canvas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/gradients-of-detail-reflections-on-zanele-muholis-somnyama-ngonyama-hail-the-dark-lioness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/ffe53b0f-2b18-4019-9f81-6a6fa0addf5c/zanelemuholi2.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Gradients of Detail Reflections on Zanele Muholi’s Somnyama Ngonyama (Hail the Dark Lioness)</image:title>
      <image:caption>Above: Zanele Muholi | Ndiville II | Gelatin silver print | 23 1/2 x 18 1/4 inches | 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/1bb96beb-55c1-4414-9b0e-60119a8ebc36/zanelemuholi3.png</image:loc>
      <image:title>Essays &amp; Interviews - Gradients of Detail Reflections on Zanele Muholi’s Somnyama Ngonyama (Hail the Dark Lioness) - Make it stand out</image:title>
      <image:caption>Above: Zanele Muholi | MaID I | Gelatin silver print | 15 3/4 x 12 1/2 inches | 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7d1f093b-85b8-4abc-8248-918d3de328e0/zanelemuholi5.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Gradients of Detail Reflections on Zanele Muholi’s Somnyama Ngonyama (Hail the Dark Lioness) - Make it stand out</image:title>
      <image:caption>Above: Zanele Muholi/ Zodwa II /Gelatin silver print/ 15 3/4 x 12 1/2 inches/2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/06cffdd7-acdf-4183-8d71-124dca6bfa00/zanelemuholi4.png</image:loc>
      <image:title>Essays &amp; Interviews - Gradients of Detail Reflections on Zanele Muholi’s Somnyama Ngonyama (Hail the Dark Lioness) - Make it stand out</image:title>
      <image:caption>Above: Zanele Muholi | Bester VIII| Site-specific photographic mural | Dimensions variable | 2018.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/interview-with-artist-jennifer-harge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/904176c0-3ffd-492e-a119-eb85b234344d/DSC_0177.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Interview with Artist Jennifer Harge - Make it stand out</image:title>
      <image:caption>Jennifer Harge performing as nyeusi in FLY|DROWN. All the photos are courtesy of Devin Drake</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/e95b2208-4fa5-4533-8925-c1b691d37b05/DSC_0299.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Interview with Artist Jennifer Harge - Make it stand out</image:title>
      <image:caption>Jennifer Harge performing as nyeusi in FLY|DROWN. All the photos are courtesy of Devin Drake.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/0389823b-001b-4ec2-80bf-c7a5de9729ec/Jennifer+Harge_3.png</image:loc>
      <image:title>Essays &amp; Interviews - Interview with Artist Jennifer Harge</image:title>
      <image:caption>Jennifer Harge performing as nyeusi in FLY|DROWN. All the photos are courtesy of Devin Drake</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/interview-with-cameron-granger-sp7r9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/0341cda4-da3e-4217-a82c-03052bdb444a/Screen+Shot+2025-06-10+at+10.44.00+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interview with Cameron Granger for Poetry Project - Make it stand out</image:title>
      <image:caption>Atrocity Exhibition, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/4d86bda8-cd9e-431e-9ffd-9eb6195985eb/Screen+Shot+2025-06-10+at+10.38.32+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interview with Cameron Granger for Poetry Project - Make it stand out</image:title>
      <image:caption>Atrocity Exhibition, 2025 Aluminum flagpole, charcoal, silkscreen print on black leather flag, twine, jewelry, silicone cast hands, pigeon feet, CCTV and camera, laser sight</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/c1040582-db21-41ab-be96-c47ea6ce53dc/Screen+Shot+2025-06-10+at+10.47.36+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interview with Cameron Granger for Poetry Project - Make it stand out</image:title>
      <image:caption>Just Below Heaven, 2025 Found wood, pigeon feet, rusted nails, video Video running time 8 min, 54 seconds</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/8f2b77e3-734c-42fe-a1cb-e5c625175547/Screen+Shot+2025-06-10+at+11.01.35+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interview with Cameron Granger for Poetry Project - Make it stand out</image:title>
      <image:caption>Hollowfolk #2 - Black Herman Covers the World, 2024 Screenprint and inkjet prints collaged on paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/f7ce9178-ded0-4910-826a-598736c2a0e3/Screen+Shot+2025-06-10+at+10.58.31+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interview with Cameron Granger for Poetry Project - Make it stand out</image:title>
      <image:caption>7th movement - Invisible Cities, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/4ead25f5-102d-4efa-b22e-58c7c1edbece/Screen+Shot+2025-06-10+at+11.00.24+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interview with Cameron Granger for Poetry Project - Make it stand out</image:title>
      <image:caption>8th movement - Cities for the Future, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/beb33c14-252f-464c-a0b5-59f006cbca28/Screen+Shot+2025-06-10+at+10.48.46+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interview with Cameron Granger for Poetry Project - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2713339f-44b1-4ebf-ac4c-c20449005662/Screen+Shot+2025-06-10+at+10.57.36+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interview with Cameron Granger for Poetry Project - Make it stand out</image:title>
      <image:caption>7th movement - Invisible Cities, 2024</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/interview-with-visco-sp7r9-ymklm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b5b05f08-3a0e-4835-a096-a64ec453e678/Screen+Shot+2025-12-29+at+11.12.59+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - An Ecological Orientation Amidst Splintered Sovereignty - Make it stand out</image:title>
      <image:caption>Dr. Hadiya Sewer, of the Virgin Islands Studies Collective (VISCO), engaging their local audience for the collective’s Decolonial Feeling Symposium. Image courtesy of the Virgin Islands Studies Collective.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/74d40ab9-2fcd-455a-b7eb-d693ec46b3d5/house12.jpg</image:loc>
      <image:title>Essays &amp; Interviews - An Ecological Orientation Amidst Splintered Sovereignty - Make it stand out</image:title>
      <image:caption>Original houses that inspired The House That Freedom Built (2025) by La Vaughn Belle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a0e52382-8ea9-4197-ba8c-e1ef1d7360ad/Screen+Shot+2025-12-29+at+11.17.18+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - An Ecological Orientation Amidst Splintered Sovereignty - Make it stand out</image:title>
      <image:caption>Participants listening and engaging in dialogue during the Decolonial Thinking Symposium, organised and hosted by the Virgin Island Studies Collective. Image courtesy of the Virgin Islands Studies Collective.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7bf9ba9b-bfbb-4789-9965-738e94fd4c08/Screen+Shot+2025-12-29+at+11.19.10+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - An Ecological Orientation Amidst Splintered Sovereignty - Make it stand out</image:title>
      <image:caption>Installation view of The House That Freedom Built (2025) by La Vaughn Belle of the Virgin Islands Studies Collective (VISCO), on display at the Cooper Hewitt for the 2025 Smithsonian Design Triennial. Image courtesy of the Virgin Islands Studies Collective.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/54ae1843-00d6-4f27-8a0e-b34c393bcb8f/Screen+Shot+2025-12-29+at+11.30.34+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - An Ecological Orientation Amidst Splintered Sovereignty - Make it stand out</image:title>
      <image:caption>Participants listening and engaging in dialogue during the Decolonial Thinking Symposium, organised and hosted by the Virgin Island Studies Collective. Image courtesy of the Virgin Islands Studies Collective.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/what-lies-in-the-bush-and-lingers-in-the-trees</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a9b5efa3-15e1-47ab-bbd6-91a09d0a3b04/Screen+Shot+2022-10-10+at+2.37.36+PM.jpg</image:loc>
      <image:title>Essays &amp; Interviews - What Lies in the Bush and Lingers in The Trees - Make it stand out</image:title>
      <image:caption>‘A Deep Haunting,’ 2022, Charcoal, watercolours, distemper, logwood dye, oil, oil stick, collage, gesso on paper mounted on canvas, 26 x 34 x 1 3/4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/485ddc4e-92c3-48b0-adce-83ddd99dfa6d/Screen+Shot+2022-10-14+at+5.17.03+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - What Lies in the Bush and Lingers in The Trees - Make it stand out</image:title>
      <image:caption>“Shut you mouth....with you little bit a money,” 2022, Charcoal, watercolour, distemper, logwood dye, Indigo dye, oil, oil stick, collage, gesso on paper mounted on canvas, 26 x 34 x 1 3/4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a14b8b56-1571-49a5-8973-c52f4249499f/Screen+Shot+2022-10-14+at+5.19.16+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - What Lies in the Bush and Lingers in The Trees - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7d140ff3-2081-4a81-bbb5-fad3acea98f6/Screen+Shot+2022-10-14+at+5.21.21+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - What Lies in the Bush and Lingers in The Trees - Make it stand out</image:title>
      <image:caption>“A street becomes a stage (Anansi #13)”, 2021 Charcoal, watercolour, distemper, indigo dye, logwood dye, oil, oil stick, collage, gesso on paper mounted on canvas, 52 x 67.5 x 1.75 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/159859a9-25c3-4cea-bb13-4196611d3658/Screen+Shot+2022-10-14+at+5.23.10+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - What Lies in the Bush and Lingers in The Trees - Make it stand out</image:title>
      <image:caption>‘...all that moved like a flood in him when we lay together at night (Anansi #12),’ 2020, Charcoal, watercolours, distemper, coffee, oil, collage, gesso on paper mounted on canvas, 52 x 67.5 x 1.75 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/new-portfolio-item</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/d5f683f0-3238-43da-8b87-9c08e2de7537/2018_Ebony-G.-Patterson_005_o4+%281%29.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Handle With Care: Ebony Patterson’s …and babies too… - Make it stand out</image:title>
      <image:caption>Jacquard woven photo tapestry with digitally embroidered appliqués, hand-embellished cast glass shoes, and toys; fabric-covered papier-mâché balloons, 3.8 x 13.6 x 5 feet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/f0d23c2c-9fd5-44cb-b910-898591843c4e/RIMG_3638+%281%29.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Handle With Care: Ebony Patterson’s …and babies too… - Make it stand out</image:title>
      <image:caption>detail from “…and babies too…,” by Ebony G. Patterson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/6966cc80-01e1-476f-96fe-a00a27443254/2018_Ebony-G.-Patterson_068_o4+%281%29.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Handle With Care: Ebony Patterson’s …and babies too…</image:title>
      <image:caption>detail from “…and babies too…,” Ebony G. Patterson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/project-four-c9f4z-pa94w</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/1daff868-a339-40f0-baee-901b892b6e7b/Screen+Shot+2022-12-31+at+1.58.46+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Considering Movement: Notes on the Elevate Chicago Dance Festival - Make it stand out</image:title>
      <image:caption>“Force: An opera in three acts”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a2d370ea-9b0e-41ea-854b-52a179971ea4/JukeForLiberation10.14.22-64+Ricardo+E+Adame.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Considering Movement: Notes on the Elevate Chicago Dance Festival - Make it stand out</image:title>
      <image:caption>“Juke for Liberation” by Christopher “Mad Dog” Thomas / Kuumba Lynx at Segundo Ruiz Belvis Cultural Center | October 14, 2022 | Photo by Ricardo E Adame</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/e4bc2c5c-e9a5-47a8-9880-96a626414189/Screen+Shot+2022-12-31+at+2.16.24+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Considering Movement: Notes on the Elevate Chicago Dance Festival - Make it stand out</image:title>
      <image:caption>“In Lieu of Flowers” by Kia S. Smith / South Chicago Dance Theatre at Mana Contemporary| October 15, 2022 | Photo by Ricardo E Adame</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/bae63210-5ba4-4fde-b22b-cb0086d1625f/TheFunction10.15.22-31+Ricardo+E+Adame.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Considering Movement: Notes on the Elevate Chicago Dance Festival - Make it stand out</image:title>
      <image:caption>“the Function” by Erin Kilmurray and collaborators at Mana Contemporary | October 15, 2022 | Photo by Ricardo E Adame</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/e32ca6fc-9293-44c0-be16-cd03b27349cf/Screen+Shot+2022-12-31+at+2.21.31+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Considering Movement: Notes on the Elevate Chicago Dance Festival - Make it stand out</image:title>
      <image:caption>““We praise mother while We be FAST” by Aaliyah Christina at Big Marsh Park| October 16, 2022 | Photo by Ricardo E Adame</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/347defee-3699-4879-b3ef-3d5b841e8cea/Screen+Shot+2022-12-31+at+2.25.11+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Considering Movement: Notes on the Elevate Chicago Dance Festival - Make it stand out</image:title>
      <image:caption>“The Axe Forgets, The Tree Remembers” by Ysayë Alma at Big Marsh Park| October 16, 2022 | Photo by Ricardo E Adame</image:caption>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/ab041ebb-cf9b-4a9a-8a4c-b52ca63568f5/red+tone.jpg</image:loc>
      <image:title>Essays &amp; Interviews - "Nocturnes" - Jennie C. Jones - Make it stand out</image:title>
      <image:caption>Red, Tone #6/Acrylic on canvas, board and architectural felt/30 × 30.5 × 1.5 in/2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/e7791bdd-3343-4ad6-86ae-cd98d96c343c/dawn+hum.jpg</image:loc>
      <image:title>Essays &amp; Interviews - "Nocturnes" - Jennie C. Jones - Make it stand out</image:title>
      <image:caption>Dawn Hum/Acoustic panel, architectural felt, and acrylic on canvas/48.25 × 36.25 × 3.5 in/2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/316418df-c1f2-4d53-b8da-ca9e63b1c416/nocturne1.jpg</image:loc>
      <image:title>Essays &amp; Interviews - "Nocturnes" - Jennie C. Jones</image:title>
      <image:caption>Nocturne 1 &amp; 2/Acoustic panel, architectural felt, and acrylic on canvas/48 × 36 × 3 in/2022</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/project-two-whgpe-98pjh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/30343bfb-9b8e-47ae-a277-cbeea6470be6/Messenger+6.2+%281%29+11.30.46+AM.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Speculation: Notes on the Work of Ada Patterson and Arnaldo James - Make it stand out</image:title>
      <image:caption>Arnaldo James, Messenger 6.2, (2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b20058ea-ed94-4a6e-99e3-15daafe4995c/Echidna+i.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Speculation: Notes on the Work of Ada Patterson and Arnaldo James - Make it stand out</image:title>
      <image:caption>Ada M. Patterson, still from performance Echidna (2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/25fa0746-f575-4bc4-9fc2-91566175fdfb/Lookalook+ii.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Speculation: Notes on the Work of Ada Patterson and Arnaldo James - Make it stand out</image:title>
      <image:caption>Ada M. Patterson, still image from performance Lookalook (2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7a6a3f02-5830-451c-9114-c67f99879e94/Messenger+5.1+11.30.46+AM.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Speculation: Notes on the Work of Ada Patterson and Arnaldo James</image:title>
      <image:caption>Arnaldo James, Messenger 5.1 (2022)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/fb376080-1c15-4795-b61b-4b59311b4e50/Messenger+9.2+11.30.46+AM.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Speculation: Notes on the Work of Ada Patterson and Arnaldo James - Make it stand out</image:title>
      <image:caption>Arnaldo James, Messenger 9.2 (2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b69e2ebc-e5ff-49d6-ab3c-f7e70452e4c0/Messenger+7.3+11.30.46+AM.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Speculation: Notes on the Work of Ada Patterson and Arnaldo James - Make it stand out</image:title>
      <image:caption>Arnaldo James, Messenger 7.3 (2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/46a5ca32-7505-41c2-9a9f-209822450306/AM+Patterson%2C+Captain%2C+from+%27Looking+for+%27Looking+for+Langston%27%2C%27+2019.+%281%29.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Speculation: Notes on the Work of Ada Patterson and Arnaldo James - Make it stand out</image:title>
      <image:caption>Ada M. Patterson, still from film Looking for “Looking for Langston” (2019)</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/project-one-h346n-5hr98</loc>
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    <lastmod>2023-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/cb658e54-0c61-470f-bf73-362bb8d0af6d/Screen+Shot+2023-01-04+at+9.46.13+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Katrina Coombs, “Apocalypse, Lifting of the Veil” (2021), performance still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/d2558cc4-d27c-459e-85a6-c333bc02c8ed/Screen+Shot+2023-01-04+at+9.41.47+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Ricardo Edwards, "Ghetto Boy Trying to Fly" (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/3e7bef07-92f6-4d41-a033-a98348e284c1/Screen+Shot+2023-01-04+at+9.50.27+AM.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Camille Chedda, “Untitled” (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/25706247-6744-4a81-8476-0a46b8736aff/Arthur+Simms+-+John+The+Baptist%2C+Prisoner+of+the+Earth+1992-93.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Not Enough Pressure at the 2022 Kingston Biennial</image:title>
      <image:caption>Arthur Simms, “John The Baptist, Prisoner of the Earth” (1992–93)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/656b7610-6f2d-45b7-bc33-6265242a7e8f/Monique+Gilpin+-+Venus+Figurines+2020.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Monique Gilpin, Venus Figurines (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/57ca6468-475c-45ca-8964-297564508768/Leasho+Johnson+-+Gully+Creeper+%28Anansi+%234%29+2020.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Leasho Johnson, “Gully Creeper (Anansi #4)” (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b57061f3-1f6d-465a-a0f2-d0c48b90190f/Nadine+Natalie+Hall+-+Heirlooms+Unchained+2020.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Nadine Natalie Hall, “Heirlooms Unchained” (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/93945268-d000-454d-9cee-bf265ee0c369/Kaleb+D%27Aguilar+-+TAUT+2021+%28Film+still%29.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Not Enough Pressure at the 2022 Kingston Biennial - Make it stand out</image:title>
      <image:caption>Kaleb D’Aguilar, TAUT (2021), film</image:caption>
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  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/project-one-h346n-5hr98-mfd8c</loc>
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    <priority>0.5</priority>
    <lastmod>2023-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/4199ab5a-e03c-4500-acf0-c4d65039b628/Screen+Shot+2023-07-07+at+11.08.19+AM.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Gestures of Interiority: Carmen Neely's Sometimes a Painting is a Prayer - Make it stand out</image:title>
      <image:caption>Detail image of Caught a glimpse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/d9fb1136-a9d5-40cc-8920-83d3aa3e59c5/Screen+Shot+2023-07-11+at+6.01.57+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Gestures of Interiority: Carmen Neely's Sometimes a Painting is a Prayer - Make it stand out</image:title>
      <image:caption>Caught a glimpse (2023)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a6fd09de-fbed-4f04-bf48-a50524c84dbb/Screen+Shot+2023-07-11+at+6.19.41+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Gestures of Interiority: Carmen Neely's Sometimes a Painting is a Prayer</image:title>
      <image:caption>Residue of my frequency</image:caption>
    </image:image>
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  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/opacity-as-possibility-h346n-5hr98-jajbn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/0932f67e-e2ee-43ee-9e8a-b567cfc59ab1/Screen+Shot+2023-07-12+at+4.07.38+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Opacity as Possibility: Only When it's Dark Enough Can You See the Stars - Make it stand out</image:title>
      <image:caption>Mother Makes Man (still from performance , 2020). Photo: Dabin Ahn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/cb52229e-ef56-4590-8ecb-6e840eda5a02/Screen+Shot+2023-07-12+at+4.02.32+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Opacity as Possibility: Only When it's Dark Enough Can You See the Stars - Make it stand out</image:title>
      <image:caption>Deloris (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/94c556a6-dd6b-4c50-a4b4-5d74ad6efce4/Screen+Shot+2023-07-12+at+4.07.16+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Opacity as Possibility: Only When it's Dark Enough Can You See the Stars - Make it stand out</image:title>
      <image:caption>Mother Makes Man (still from performance , 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/93511234-4c68-4198-9fe7-08eb6487fa8c/Screen+Shot+2023-07-12+at+4.23.45+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Opacity as Possibility: Only When it's Dark Enough Can You See the Stars - Make it stand out</image:title>
      <image:caption>Banjee #2 (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/9050cb96-b188-4f1b-89b7-0c484ef329ab/Screen+Shot+2023-07-12+at+4.28.03+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Opacity as Possibility: Only When it's Dark Enough Can You See the Stars - Make it stand out</image:title>
      <image:caption>Loosie (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/65423f69-00ce-4a7e-b0bc-259c14f77ec7/Screen+Shot+2023-07-12+at+4.26.08+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Opacity as Possibility: Only When it's Dark Enough Can You See the Stars - Make it stand out</image:title>
      <image:caption>The thing to fear was the thing that made her beautiful, and not us (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/d8a66415-1cb1-4a86-80b6-e67ada5df607/Screen+Shot+2023-07-12+at+4.16.19+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Opacity as Possibility: Only When it's Dark Enough Can You See the Stars</image:title>
      <image:caption>Those without whom the earth would not be the earth (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/93b7617c-2a9f-4657-ac5f-bff0065857f4/Screen+Shot+2023-07-12+at+4.19.53+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Opacity as Possibility: Only When it's Dark Enough Can You See the Stars - Make it stand out</image:title>
      <image:caption>Sweet Boy (2020)</image:caption>
    </image:image>
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  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/jamaican-contemporary-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/6322602c-21df-4b3b-ab26-960dd78d4fa4/Screen+Shot+2023-07-14+at+1.08.29+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Beyond Tropical: New Approaches to Jamaican Contemporary Art - Make it stand out</image:title>
      <image:caption>Leasho Johnson Sugar Daddy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/71b6108e-bfb3-4954-a0d9-e00cf0cd590a/Screen+Shot+2023-07-14+at+12.58.08+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Beyond Tropical: New Approaches to Jamaican Contemporary Art - Make it stand out</image:title>
      <image:caption>Cosmo Whyte Shotta' &amp; Laura Facey Black Petals</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays &amp; Interviews - Beyond Tropical: New Approaches to Jamaican Contemporary Art - Make it stand out</image:title>
      <image:caption>Shoshanna Weinberger Market Fruits</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7158b6cf-6089-4b6f-84e8-b313664b46e2/Screen+Shot+2023-07-14+at+1.15.36+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Beyond Tropical: New Approaches to Jamaican Contemporary Art</image:title>
      <image:caption>Laura Facey, Tines and Andre Woolery, Sound Wall</image:caption>
    </image:image>
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  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/unity-in-fragmentation-h346n-5hr98-jajbn-r7972</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/61919494-3a6e-41fd-94df-97eb484fa78b/Screen+Shot+2024-02-22+at+3.36.42+PM.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Can there be unity in fragmentation? - Make it stand out</image:title>
      <image:caption>Red Rock, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2b8614c2-81ab-4c29-853c-b31d5d54d4c0/Screen+Shot+2024-02-22+at+3.33.02+PM.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Can there be unity in fragmentation? - Make it stand out</image:title>
      <image:caption>Paw Paw (Day for Night Series), 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/39d32640-631a-49ee-84b2-ecd633d85c1c/Screen+Shot+2024-02-22+at+3.40.05+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Can there be unity in fragmentation? - Make it stand out</image:title>
      <image:caption>CORE: H.C.T. (Core Series), 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/68dc45b6-d93d-430e-80c4-ae0af65755c2/Screen+Shot+2024-02-22+at+3.42.31+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Can there be unity in fragmentation?</image:title>
      <image:caption>Coin Diver 4, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/83bd1f0a-3839-4fb1-af05-d84571153956/Screen+Shot+2024-02-22+at+3.49.40+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Can there be unity in fragmentation? - Make it stand out</image:title>
      <image:caption>Pools (Day for Night Series), 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2041c080-0fc6-470b-84bd-1ee8b822652d/Screen+Shot+2024-02-22+at+3.43.49+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Can there be unity in fragmentation? - Make it stand out</image:title>
      <image:caption>A Return, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/8816e8b5-87ec-421f-b03c-68e1f606b205/Screen+Shot+2024-02-22+at+3.47.59+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Can there be unity in fragmentation? - Make it stand out</image:title>
      <image:caption>Sycorax_videostyle.02, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/da2efa8d-f160-4f97-b3f0-112e61ac51ff/Screen+Shot+2024-02-22+at+3.47.04+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Can there be unity in fragmentation? - Make it stand out</image:title>
      <image:caption>Routes, 2020</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/pope-l-interview-h346n-5hr98-jajbn-gsxd6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b5ff7566-cbd7-4d09-a543-43f1f4ada9ca/Screen+Shot+2024-02-22+at+4.18.11+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Wholeness is a Fiction: On Pope.L.’s Exhibition Hospital - Make it stand out</image:title>
      <image:caption>Pope.L photographed for the FT by Kayla Reefer in October © Kayla Reefer/FT</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/c59b4a05-a85c-4840-aec2-df48caa6fba0/Screen+Shot+2024-02-22+at+4.20.55+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Wholeness is a Fiction: On Pope.L.’s Exhibition Hospital - Make it stand out</image:title>
      <image:caption>‘The Great White Way’, in which the artist crawled the 22-mile stretch of Broadway in New York City on his stomach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/f2207992-9a38-40dc-af73-0487e6f9f181/Screen+Shot+2024-02-22+at+4.22.36+PM.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Wholeness is a Fiction: On Pope.L.’s Exhibition Hospital - Make it stand out</image:title>
      <image:caption>Pope.L’s ‘Eating the Wall Street Journal’ performance in 2000</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/through-fractured-realities-h346n-5hr98-jajbn-r7972-w6cjj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/5ef042ce-5826-4bf1-af3a-9e4c1f13bc9e/Screen+Shot+2024-06-15+at+11.27.23+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Through Fractured Realities, Ways of Knowing Emerge - Make it stand out</image:title>
      <image:caption>Chandika, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7d4500cc-a28e-45c4-a508-a9443aced892/Screen+Shot+2024-06-05+at+11.48.17+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Through Fractured Realities, Ways of Knowing Emerge - Make it stand out</image:title>
      <image:caption>Circa no Future, 2014-Ongoing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7b2d3b1f-50df-40a3-93c4-1761f0171682/Screen+Shot+2024-06-15+at+11.32.43+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Through Fractured Realities, Ways of Knowing Emerge - Make it stand out</image:title>
      <image:caption>The Venus of the Harvest, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/529742fb-8897-476a-b2a0-60c7c9315aa3/Screen+Shot+2024-06-15+at+11.37.01+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Through Fractured Realities, Ways of Knowing Emerge - Make it stand out</image:title>
      <image:caption>Outside the house where Amy once lived, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/c34c0148-867f-4eef-91e4-11375144988e/Screen+Shot+2024-06-15+at+11.41.59+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Through Fractured Realities, Ways of Knowing Emerge - Make it stand out</image:title>
      <image:caption>Circa no future, 2014-Ongoing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/776a1c42-f912-4e8c-95cd-c8bbabecacb8/Screen+Shot+2024-06-15+at+11.39.19+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Through Fractured Realities, Ways of Knowing Emerge - Make it stand out</image:title>
      <image:caption>Transformations, 2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/record-goes-on-h346n-5hr98-jajbn-r7972-w6cjj-mxhgh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/01b449f4-dc02-4282-b4c5-c3911dcdd23c/Screen+Shot+2024-06-16+at+1.53.55+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Record Goes On - Make it stand out</image:title>
      <image:caption>Arnold J. Kemp. Possible Bibliography, 2015-2020. 52 black and white archival inkjet prints Photo courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a32c194b-657c-40c8-9e7d-acc21b0ef30d/Screen+Shot+2024-06-16+at+1.50.53+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Record Goes On - Make it stand out</image:title>
      <image:caption>Arnold J. Kemp. Possible Bibliography, 2015-2020. Photo courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/ed579441-af85-4a9e-984b-ccc6759c688b/IMG_0056.jpg</image:loc>
      <image:title>Essays &amp; Interviews - The Record Goes On - Make it stand out</image:title>
      <image:caption>Arnold J. Kemp. Stage (I would survive, I could survive, I should survive), 2023 Maple plywood Photo courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7eba0424-2a36-46f6-a870-3393ef2f4819/IMG_0055.jpg</image:loc>
      <image:title>Essays &amp; Interviews - The Record Goes On - Make it stand out</image:title>
      <image:caption>Arnold J. Kemp. Possible Bibliography, 2015-2020. 52 black and white archival inkjet prints Photo courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/5bd4e570-f350-4014-b968-b3696199919f/IMG_0042.jpg</image:loc>
      <image:title>Essays &amp; Interviews - The Record Goes On - Make it stand out</image:title>
      <image:caption>Installation image, at center: Music Always Brings Goodness to Us All Unless One Has Some Other Motive, 2023 Photo courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/black-gathering-h346n-5hr98-jajbn-r7972-w6cjj-mxhgh-2ht53</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/f3c7f447-7a7b-4aec-b33b-a70de30a3afb/Screen+Shot+2025-01-26+at+6.34.28+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Review-Black Gathering: Art, Ecology, Ungiven Life - Make it stand out</image:title>
      <image:caption>Image: Xaviera Simmons, Denver, 2008.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/d2688faf-46df-46a4-8933-bd68acb3d8ed/Screen+Shot+2025-01-26+at+6.52.45+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Review-Black Gathering: Art, Ecology, Ungiven Life - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7ad78b94-c5d0-4e7e-978c-28716a97bc0d/Screen+Shot+2025-01-26+at+7.10.13+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Review-Black Gathering: Art, Ecology, Ungiven Life - Make it stand out</image:title>
      <image:caption>Xaviera Simmons, Harvest, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/47b4621f-8064-4be7-8d3d-66f03cd02e7d/Screen+Shot+2025-01-26+at+6.59.18+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Review-Black Gathering: Art, Ecology, Ungiven Life - Make it stand out</image:title>
      <image:caption>Leonardo Drew, Number 8, 1998. Photo by : Frank Stewart</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/de54d53d-1f9e-4feb-8bb2-0a7c396fa107/Screen+Shot+2025-01-26+at+7.24.07+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Review-Black Gathering: Art, Ecology, Ungiven Life - Make it stand out</image:title>
      <image:caption>Clementine Hunter, Harvest Time Mural, 1955.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/mementos-of-desire-h346n-5hr98-jajbn-r7972-w6cjj-lktfk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/08c5bc85-547e-4b29-b386-95f433ca7da9/Screen+Shot+2025-01-26+at+9.02.08+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Mementos of Desire - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/60f96861-a940-410e-882e-431cc90ea098/Screen+Shot+2025-01-26+at+10.23.27+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Mementos of Desire - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/82c97e11-ef7d-4d63-b0e9-9d7b563b1aa1/Screen+Shot+2025-01-26+at+10.10.55+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - Mementos of Desire - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/self-made-h346n-5hr98-jajbn-r7972-w6cjj-mxhgh-2ht53-by8ac</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/769e79fd-0f8b-46b3-99eb-bdf58bc68b37/Screen+Shot+2025-01-17+at+7.34.58+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Self is Made Bare - Make it stand out</image:title>
      <image:caption>Green Baby Monster, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/264f452f-6f0e-4506-9119-33dd6ea0b285/Screen+Shot+2025-01-17+at+7.29.26+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Self is Made Bare - Make it stand out</image:title>
      <image:caption>Ribcage, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/11bb38f5-8d65-4f06-94cf-6771f6dab249/Screen+Shot+2025-01-30+at+11.02.30+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Self is Made Bare - Make it stand out</image:title>
      <image:caption>Boundless, Fabulous, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b30e1839-3835-43a7-b4ad-3236b1755739/Screen+Shot+2025-01-17+at+7.33.29+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Self is Made Bare - Make it stand out</image:title>
      <image:caption>lose, lose, 2024</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/interstitial-h346n-5hr98-jajbn-r7972-w6cjj-mxhgh-2ht53-c72gj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2568d697-de29-40e5-9f88-a09383d434a3/Screen+Shot+2025-02-04+at+9.09.42+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interstitial - Make it stand out</image:title>
      <image:caption>Installation Image, Interstitial, 2025. Photo Credit: Lloyd Mccullough</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/3ffa3e9f-9b24-4f2c-a581-a497b9a38a73/Screen+Shot+2025-02-04+at+9.09.56+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interstitial - Make it stand out</image:title>
      <image:caption>Installation Image, Interstitial, 2025. Photo Credit: Lloyd Mccullough</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2314ce86-9309-4ced-99e1-74b297712d11/Screen+Shot+2025-02-04+at+8.46.57+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interstitial - Make it stand out</image:title>
      <image:caption>Installation Image, Interstitial, 2025. Photo Credit: Lloyd Mccullough</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/74c6224b-468c-4bd9-85a5-0739a3e4b2d5/Screen+Shot+2025-02-04+at+9.06.52+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interstitial - Make it stand out</image:title>
      <image:caption>Installation Image, Interstitial, 2025. Photo Credit: Lloyd Mccullough</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/0b6b15d9-d15d-44ef-a65f-197657bf0276/Screen+Shot+2025-02-04+at+9.10.14+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interstitial - Make it stand out</image:title>
      <image:caption>Installation Image, Interstitial, 2025. Photo Credit: Lloyd Mccullough</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/3ca00ed7-abb9-429a-8d98-e6bcd199fd29/Screen+Shot+2025-02-04+at+9.05.04+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - Interstitial - Make it stand out</image:title>
      <image:caption>Installation Image, Interstitial, 2025. Photo Credit: Lloyd Mccullough</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/mine-to-give-h346n-5hr98-jajbn-r7972-w6cjj-9rhr5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/554cfa29-fb89-414d-974f-0b3ec9e52f2c/Screen+Shot+2025-02-09+at+9.00.35+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - It is mine to give or withhold - Make it stand out</image:title>
      <image:caption>Shala Miller. The Makings of a Supervillain, 2023. Archival pigment print on William Turner paper, hand engraving on plexiglass. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/76438e30-1fd2-415c-b1be-8ddbd3691242/Screen+Shot+2025-02-09+at+9.00.49+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - It is mine to give or withhold - Make it stand out</image:title>
      <image:caption>Ebun Sodipo. Prosthesis for freedom - Mary Jones' piece of cow leather pierced and opened like a woman's womb. Piece of cow leather pierced and opened like a woman's womb. 2022. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/0af4b18d-a5d8-456e-bfb6-21fb7fbc6fa1/Screen+Shot+2025-02-09+at+9.05.45+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - It is mine to give or withhold - Make it stand out</image:title>
      <image:caption>Kameelah Janan Rasheed. ,they feed on the altitude of our afterlife, 2024. Vinyl. Courtesy of the artist and Nome Gallery, Berlin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/4657c764-0701-4bf7-b320-f86dbbdeb736/Screen+Shot+2025-02-09+at+9.04.48+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - It is mine to give or withhold - Make it stand out</image:title>
      <image:caption>Kameelah Janan Rasheed. ,they feed on the altitude of our afterlife, 2024. Vinyl. Courtesy of the artist and Nome Gallery, Berlin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/c02f6d5f-faec-45e9-a695-d58c930d936a/Screen+Shot+2025-02-09+at+9.01.09+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - It is mine to give or withhold - Make it stand out</image:title>
      <image:caption>Charisse Pearlina Weston. diaphanous envelop of the object side, 2024. Slumped and etched mirropane, lead and concrete. Courtesy of the artist; PATRON gallery, Chicago; and Jack Shainman Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/4eef6adb-c5d9-4dcd-af93-1a33904f27b6/Screen+Shot+2025-02-09+at+9.41.27+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - It is mine to give or withhold - Make it stand out</image:title>
      <image:caption>Diyar Mayil. Mop, 2022. Glass, metal. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/656e41a9-9d6e-4044-8b6f-c30a315cd63a/Screen+Shot+2025-02-09+at+9.36.28+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - It is mine to give or withhold - Make it stand out</image:title>
      <image:caption>Diyar Mayil. Sitting Through, 2019. Silicone, ceramic, wood, salt Dimension: 30” W x 30” L x 33” H. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/cc8b16f2-2af5-49df-a63c-dee2641bd12c/Screen+Shot+2025-02-09+at+10.04.28+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - It is mine to give or withhold - Make it stand out</image:title>
      <image:caption>From far left: Charisse Pearlina Weston, Niloufar Emamifar, Shala Miller, Diyar Mayil and Charisse Pearlina Weston.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b909de9d-2a8e-466e-840e-f2f8010463c0/Screen+Shot+2025-02-09+at+9.56.44+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - It is mine to give or withhold - Make it stand out</image:title>
      <image:caption>Zişan. Felaket (Catastrophe), 1923. Reproduction of an original work of an ink on paper.Courtesy of the İz Öztat and Zilberman Gallery, Istanbul.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/faec85d8-cac0-4b4d-9422-a58ffb47514d/Screen+Shot+2025-02-09+at+9.57.04+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - It is mine to give or withhold - Make it stand out</image:title>
      <image:caption>Niloufar Emamifar. Three Inches And A Half, 2018. Pigmented hard plastic, paint, clay, dirt. Collection of Gabriel Catone, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2c5857f1-5f5f-4013-a503-af29b8dcf9ee/Screen+Shot+2025-02-09+at+9.00.16+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - It is mine to give or withhold - Make it stand out</image:title>
      <image:caption>Installation Image: Niloufar Emamifar. Three Inches And A Half, 2018 and Charisse Pearlina Weston. diaphanous envelop of the object side, 2024.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/cultivating-practice-h346n-5hr98-jajbn-r7972-w6cjj-mxhgh-2ht53-by8ac-tdrnl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/fbeaecc0-4ff4-4995-8b23-72e1857d9453/IMG_3052.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Cultivating a Practice Rooted in Process - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/63a2c7af-330d-454b-8b25-7a5a6fffd72a/HP-P_9703.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Cultivating a Practice Rooted in Process - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2acc7930-b35e-40f7-b80f-2fdac950240a/HP-P_9712.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Cultivating a Practice Rooted in Process - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b52c5fcb-b642-4abc-ad6a-e62559cb7bf3/HP-P_9697.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Cultivating a Practice Rooted in Process - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/494d6d4c-d891-434e-819a-abd490022874/HP-P_9705.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Cultivating a Practice Rooted in Process - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/3d1b5d94-c6d4-4849-9e55-f809ec61e78e/HP-P_9717.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Cultivating a Practice Rooted in Process - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/43ad1f9a-df6d-4f4a-81ae-0641d4e94ace/HP-P_9722.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Cultivating a Practice Rooted in Process - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/expression-gratitude-h346n-5hr98-jajbn-r7972-w6cjj-mxhgh-2ht53-by8ac-tdrnl-7fpsf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7c27afc0-ecb1-4890-afe9-c081a315492b/HP-P_9718.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Expression of Gratitude - Make it stand out</image:title>
      <image:caption>Pat Kelly</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/0a7508ba-57bf-4706-bf61-d5969e185b5b/IMG_5608.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Expression of Gratitude - Make it stand out</image:title>
      <image:caption>Robert Earl Paige in his studio, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/e94306c8-26ed-4794-8f64-b6a959702919/DAKKABAR+Collection+ad_1974.jpg</image:loc>
      <image:title>Essays &amp; Interviews - Expression of Gratitude - Make it stand out</image:title>
      <image:caption>Advertisement for Robert Earl Paige’s Dakkabar home textile collection for Sears, early 1970s.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/clarity-in-these-waters-h346n-5hr98-jajbn-r7972-j8mz6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/edbabfd7-c79b-4014-a4e0-97ddf293ccec/1Detail%281%29.jpg</image:loc>
      <image:title>Essays &amp; Interviews - How can one ever claim to seek clarity in these waters? - Make it stand out</image:title>
      <image:caption>Gymnopédies No.1, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/4b7c7710-7b76-46b5-96ce-1968a23ce6c2/Gymnope%CC%81die+No.+7%2C+Native+Diver+Series+%28Detail+1%29.jpg</image:loc>
      <image:title>Essays &amp; Interviews - How can one ever claim to seek clarity in these waters? - Make it stand out</image:title>
      <image:caption>Gymnopédies No.7, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2ac4a833-6d0c-44a3-a0ec-be6f3cd11823/Screen+Shot+2025-06-09+at+11.50.56+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - How can one ever claim to seek clarity in these waters? - Make it stand out</image:title>
      <image:caption>Photo Credit Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a7e068a1-e5c7-4237-ae67-e6a51bea2e85/IMG_9446.jpg</image:loc>
      <image:title>Essays &amp; Interviews - How can one ever claim to seek clarity in these waters? - Make it stand out</image:title>
      <image:caption>The Big Oyster, Lenapehoking, NY , 2025.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/tide-own-pace-h346n-5hr98-jajbn-r7972-j8mz6-gelsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/46a38855-926e-4d0b-8a0d-90219341c3b0/Screen+Shot+2025-10-14+at+1.37.03+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Tide Maintains its Own Pace - Make it stand out</image:title>
      <image:caption>Tidalectic No. 1, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/3afb6582-1933-4796-9dbb-0d98f81a2ac7/Screen+Shot+2025-10-14+at+1.45.42+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Tide Maintains its Own Pace - Make it stand out</image:title>
      <image:caption>Tidalectic No. 1, 2025. Two Channel Video, Plywood, Plexiglass, Cornmeal, Sand, Beach Detritus, Non-Toxic Resin on Steel Armature. 30 H x 30 W x 230 D in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/413bd235-266c-40b9-b12c-cfd8e916e8e7/Screen+Shot+2025-10-14+at+1.38.44+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Tide Maintains its Own Pace - Make it stand out</image:title>
      <image:caption>The Big Oyster, Lenapehoking, NY (2025)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/close-up-reveals-h346n-5hr98-jajbn-r7972-w6cjj-mxhgh-2ht53-by8ac-tdrnl-7fpsf-dkdsj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2fb397bf-497e-4391-8e9e-405e8c6e30d3/Screen+Shot+2025-10-14+at+2.47.41+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Close-Up Reveals Nothing - Make it stand out</image:title>
      <image:caption>Deborah-Joyce Holman, Close-Up, 2024, installation view. Courtesy of Swiss Institute.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/dd887578-0c24-41ff-947a-32f195016d4d/Screen+Shot+2025-10-14+at+2.49.29+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Close-Up Reveals Nothing - Make it stand out</image:title>
      <image:caption>Deborah-Joyce Holman, Close-Up, 2024, installation view. Courtesy of Swiss Institute.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/54f04ef2-72b5-4e9f-a1c6-d4672122e188/Screen+Shot+2025-10-14+at+2.46.19+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Close-Up Reveals Nothing - Make it stand out</image:title>
      <image:caption>Deborah-Joyce Holman, Close-Up, 2024, film still. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/5a50e597-0c53-45a7-9941-de6bdedd65d0/Screen+Shot+2025-10-14+at+2.48.41+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Close-Up Reveals Nothing - Make it stand out</image:title>
      <image:caption>Deborah-Joyce Holman, Close-Up, 2024, film still. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/f4ed6171-4b9a-45bd-a504-2460f20d2d8b/Screen+Shot+2025-10-14+at+2.50.41+PM.png</image:loc>
      <image:title>Essays &amp; Interviews - The Close-Up Reveals Nothing - Make it stand out</image:title>
      <image:caption>Deborah-Joyce Holman, Close-Up, 2024, film still. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/portfolio-3/whole-h346n-5hr98-jajbn-r7972-j8mz6-ntbbw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7f0e20a5-6b88-4a4c-92d1-cf3e82459465/Screen+Shot+2025-12-29+at+11.58.12+AM.png</image:loc>
      <image:title>Essays &amp; Interviews - (w)hole - Make it stand out</image:title>
      <image:caption>Davis Street Drawing Room, Gervais Marsh work space. Image courtesy the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/curatorial-projects</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-06-22</lastmod>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/curatorial-projects/new-portfolio-item</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/17cd326f-3a97-4db0-ac9b-52c5f5643bdd/Ferrill.jpeg</image:loc>
      <image:title>Curatorial Projects - South Side Community Art Center - Make it stand out</image:title>
      <image:caption>Mikki Ferrill, Untitled (Portrait of Terry Readus), 1973</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/curatorial-projects/notes-from-vega</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b3577d08-1955-4a36-8e04-1179f6f13943/aa_notes+on+vega1.JPG</image:loc>
      <image:title>Curatorial Projects - Notes from VEGA</image:title>
      <image:caption>Photo Credit: Arda Asena</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/4de49673-3025-4b92-95a3-ccf9d602fd31/aa_notes+on+vega16.JPG</image:loc>
      <image:title>Curatorial Projects - Notes from VEGA</image:title>
      <image:caption>Photo Credit: Arda Asena</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/bc59fdd4-c801-4b09-a8a9-9eba5b65d736/aa_notes+on+vega12.JPG</image:loc>
      <image:title>Curatorial Projects - Notes from VEGA</image:title>
      <image:caption>Photo Credit: Arda Asena</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/curatorial-projects/interventions-of-possibility-zdm9p</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/f6e0c792-af7e-498b-bffd-613700703469/Screen+Shot+2023-07-12+at+11.33.17+AM.png</image:loc>
      <image:title>Curatorial Projects - Rupture: Interventions of Possibility - Make it stand out</image:title>
      <image:caption>Oneika Russell, Myth I (2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/0a7983e6-efb9-4273-809d-fc30538f2edf/Screen+Shot+2023-07-11+at+6.51.27+PM.png</image:loc>
      <image:title>Curatorial Projects - Rupture: Interventions of Possibility - Make it stand out</image:title>
      <image:caption>Zinzi Minott, BLOODSOUND, (2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/0c90728d-3d62-4a20-824a-a6130b24c0ef/ShoshannaWeinberger_Bouffant+WeightedAndBalanced_2021+%281%29.jpg</image:loc>
      <image:title>Curatorial Projects - Rupture: Interventions of Possibility</image:title>
      <image:caption>Shoshanna Weinberger, Bouffant Weighted And Balanced (2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/406f735b-a67b-403d-8522-140e9938841e/Screen+Shot+2023-07-12+at+11.18.37+AM.png</image:loc>
      <image:title>Curatorial Projects - Rupture: Interventions of Possibility - Make it stand out</image:title>
      <image:caption>Katrina Coombs, Transcend (2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/fb91f230-40ba-428d-8c4b-969a9918e1a3/Screen+Shot+2023-07-12+at+11.13.26+AM.png</image:loc>
      <image:title>Curatorial Projects - Rupture: Interventions of Possibility - Make it stand out</image:title>
      <image:caption>Zachary Fabri, Shoulder Thight (Mim Limpar Avenida Canadá/I Scrub Avenue Canada) (2010)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/12026ddf-f239-458a-b0c0-148418166d25/Screen+Shot+2023-07-12+at+11.13.06+AM.png</image:loc>
      <image:title>Curatorial Projects - Rupture: Interventions of Possibility</image:title>
      <image:caption>Timothy Hunter, True and Functional (2022). Page G Detail</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/curatorial-projects/lived-through-feeling-zdm9p-a9dkx</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/f44d20e5-9238-4462-a9bc-e7c37f22add3/Screen+Shot+2023-07-12+at+11.48.50+AM.png</image:loc>
      <image:title>Curatorial Projects - To be pained is to have lived through feeling - Make it stand out</image:title>
      <image:caption>Installation View</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/10ac7b9c-8b02-49f4-8df8-873e3c272e5f/Screen+Shot+2023-07-12+at+11.48.03+AM.jpg</image:loc>
      <image:title>Curatorial Projects - To be pained is to have lived through feeling - Make it stand out</image:title>
      <image:caption>Variant D (2005-2006)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/d15f38b2-c9a8-42ce-8f8e-63a694ef006e/Screen+Shot+2023-07-12+at+11.59.34+AM.png</image:loc>
      <image:title>Curatorial Projects - To be pained is to have lived through feeling</image:title>
      <image:caption>Redact 5, (2005)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/0d12615f-0c1e-4956-9d29-0494c3e065ab/Screen+Shot+2023-07-12+at+12.03.36+PM.jpg</image:loc>
      <image:title>Curatorial Projects - To be pained is to have lived through feeling</image:title>
      <image:caption>Installation View</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/4100b81e-d697-4927-9f8f-65fc3fc16c2b/Screen+Shot+2023-07-12+at+12.05.39+PM.png</image:loc>
      <image:title>Curatorial Projects - To be pained is to have lived through feeling - Make it stand out</image:title>
      <image:caption>Orange Glyph (2019)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/curatorial-projects/contours-of-the-interior-zdm9p-a9dkx-dbx3x</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b0ca309c-9ba4-4c2a-95c7-fdc208960d2b/Screen+Shot+2024-02-23+at+12.19.40+AM.png</image:loc>
      <image:title>Curatorial Projects - Contours of the Interior - Make it stand out</image:title>
      <image:caption>Installation View</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/844adece-e536-4c6d-8378-b39d0481f409/Screen+Shot+2024-02-22+at+4.35.36+PM.png</image:loc>
      <image:title>Curatorial Projects - Contours of the Interior - Make it stand out</image:title>
      <image:caption>Installation View</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b1dda79b-f018-493e-bbca-0c780dbe1034/Screen+Shot+2024-02-22+at+4.36.54+PM.png</image:loc>
      <image:title>Curatorial Projects - Contours of the Interior</image:title>
      <image:caption>zakkiyyah najeebah dumas-o’neal, to feel it from every direction, for every departure, 2022-2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7cb51228-6712-4114-9a10-4c0087f764fc/Screen+Shot+2024-02-22+at+4.44.16+PM.png</image:loc>
      <image:title>Curatorial Projects - Contours of the Interior - Make it stand out</image:title>
      <image:caption>Sasha-Kay Nicole, A Cultural Subject, 2023 Notes: [i] Quashie, Kevin. The Sovereignty of Quiet: Beyond Resistance in Black Culture. Rutgers University Press, 2012. [ii] Alexander, Elizabeth. The Black Interior. Minneapolis, MN: Graywolf Press, 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/478f97d1-8d70-42a2-9e68-86a2b55b31c0/Screen+Shot+2024-02-22+at+4.43.17+PM.png</image:loc>
      <image:title>Curatorial Projects - Contours of the Interior - Make it stand out</image:title>
      <image:caption>Sasha-Kay Nicole, My Screams Haunt Me, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/5686a2af-32fc-4a45-b6ce-f0bad44b93d6/Screen+Shot+2024-02-22+at+4.40.34+PM.png</image:loc>
      <image:title>Curatorial Projects - Contours of the Interior - Make it stand out</image:title>
      <image:caption>Lola Ayisha Ogbara, Untitled (forget me knot series), 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/10e1c6da-98fd-482f-a924-df7034682380/Screen+Shot+2024-02-22+at+4.37.51+PM.png</image:loc>
      <image:title>Curatorial Projects - Contours of the Interior</image:title>
      <image:caption>Installation View</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/curatorial-projects/all-ofl-iving-is-risk-zdm9p-a9dkx-dbx3x-6t7gz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/ccb6f299-7f96-4705-962b-1f995329fed2/Screen+Shot+2024-02-22+at+5.55.43+PM.png</image:loc>
      <image:title>Curatorial Projects - All of Living is Risk - Make it stand out</image:title>
      <image:caption>Installation View, Cory Perry. All photographs taken by Natasha Moustache.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/6524d9c4-f25a-4581-83c1-1de716288b49/Screen+Shot+2024-02-22+at+4.56.09+PM.png</image:loc>
      <image:title>Curatorial Projects - All of Living is Risk - Make it stand out</image:title>
      <image:caption>Nnaemeka Ekwelum, black-as-night blk, 2022. All photographs taken by Natasha Moustache</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/4a4231c5-28d9-4aa4-a32a-fe25bea2f75b/Screen+Shot+2024-02-22+at+4.58.06+PM.png</image:loc>
      <image:title>Curatorial Projects - All of Living is Risk</image:title>
      <image:caption>Installation View, Cory Perry. All photographs taken by Natasha Moustache</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7f5b3e94-6a8b-49cd-8269-cf10c8ad84a3/Screen+Shot+2024-02-22+at+5.00.04+PM.png</image:loc>
      <image:title>Curatorial Projects - All of Living is Risk - Make it stand out</image:title>
      <image:caption>Nnaemeka Ekewlum, On Microblooming, 2021-2022. All photographs taken by Natasha Moustache</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/curatorial-projects/everything-is-given-zdm9p-a9dkx-dbx3x-encyz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/3bb0ad24-b8ac-4d7a-ad02-d414c6a3eb88/RS80661_ISP-NotEverything_6289_full.jpg</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>Naomi Rincón Gallardo. Resiliencia Tlacuache (Opossum Resilience), 2019. Single-channel HD video, 16 mins 01 secs. Courtesy of the artist and Parallel Oaxaca, Oaxaca.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a82a939d-a80d-4f3b-8c92-1b462f37d2a3/RS80655_ISP-NotEverything_6333_full.jpg</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>Taqralik Partridge and Laakkuluk Williamson Bathory. Inissaliortut: Making Room, 2022. Two-channel video, 19 mins; plywood panel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b5c2b432-d353-4077-89b3-283133241067/RS81269_ISP-NotEverything_6393_4K.jpg</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>Niloufar Emamifar. Three Inches And A Half, 2018. Pigmented hard plastic, paint, clay, dirt. Collection of Gabriel Catone, New York. Charisse Pearlina Weston. diaphanous envelop of the object side, 2024. Slumped and etched mirropane, lead and concrete. Courtesy of the artist; PATRON gallery, Chicago; and Jack Shainman Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2597b032-a3ab-48a3-ac8c-307e45a0a98a/RS81268_ISP-NotEverything_6387_4K.jpg</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>From far left: Charisse Pearlina Weston, Niloufar Emamifar, Shala Miller, Diyar Mayil and Charisse Pearlina Weston.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/efd8058a-be87-4a4d-a924-b68d133781ba/E.2024.0209a-f.jpg</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>Zişan. Felaket (Catastrophe), 1923. Reproduction of an original work of an ink on paper.Courtesy of the İz Öztat and Zilberman Gallery, Istanbul.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/12bfc0f2-d416-4449-8157-3e4414f5d914/E.2024.0223.jpg</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>Joyce Joumaa. Hallab Bldg, 2024. Inkjet on archival vellum paper, breaker box, stainless steel, computerized timer, light. Courtesy of Musée d’art contemporain de Montréal and Galerie Eli Kerr, Montreal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/e06538f9-c705-457f-80c4-4f938273978d/E.2024.0227.png</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>Charisse Pearlina Weston. that old saying is true: you’ve got to weep what you sow, 2017. Inkjet print on Hahnemuhle canvas etched with replacement frame glass from collapse, glass, canvas, glass shards.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7f16af76-983b-431e-86fa-0cccca6ec5d6/IMG_2776+2.jpg</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>Charisse Pearlina Weston. diaphanous envelop of the object side, 2024Slumped and etched mirropane, lead and concrete. Courtesy of the artist; PATRON gallery, Chicago; and Jack Shainman Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/f4704dd1-8fd0-4feb-bbfe-9a57a3a9c7ba/E.2024.0220.png</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>Shala Miller. The Makings of a Supervillain, 2023. Archival pigment print on William Turner paper, hand engraving on plexiglass. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/5eb72554-e594-4a63-9540-b15bbb04be57/E.2024.0218.png</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>Ebun Sodipo. Prosthesis for freedom - Mary Jones' piece of cow leather pierced and opened like a woman's womb. Piece of cow leather pierced and opened like a woman's womb. 2022. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a0ce893b-2b2e-407f-b3fe-e7af8bbbf71e/E.2024.0209a-f.png</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>BAÇOY KOOP. Birding, 2016. Reproduction of mimeograph printed flyers.Courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/fb6274a2-0ac5-47c9-9936-096fd336de1c/E.2024.0200.png</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>Kameelah Janan Rasheed. ,they feed on the altitude of our afterlife, 2024. Vinyl. Courtesy of the artist and Nome Gallery, Berlin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/6b199f0f-b643-47fa-bdc8-89d019d965b9/RS80654_ISP-NotEverything_6412_full.jpg</image:loc>
      <image:title>Curatorial Projects - Not Everything is Given - Make it stand out</image:title>
      <image:caption>Diyar Mayil. Mop, 2022. Glass, metal. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/curatorial-projects/heather-brammeier-maybe-never</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/70a0c993-a3cf-43c0-b5d8-966caeadf300/HP_4665.jpg</image:loc>
      <image:title>Curatorial Projects - Heather Brammeirer: Maybe Never</image:title>
      <image:caption>Photo Credit: Tom Van Eynde</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b0f61b56-32fe-4796-a2e3-b53a87772597/HP_4676.jpg</image:loc>
      <image:title>Curatorial Projects - Heather Brammeirer: Maybe Never</image:title>
      <image:caption>Photo Credit: Tom Van Eynde</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/public-programming</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-06-22</lastmod>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/public-programming/project-four-l3zw3-2c54y</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/94b01181-ae13-4763-9c68-2d33a0247dda/impasse.jpeg</image:loc>
      <image:title>Public Talks &amp; Programming - The Impasse of Blackness: Interrogating the Possibility of Resolution</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/public-programming/artist-conversation-l3zw3-2c54y-jhacw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/97af1a05-e968-48ef-9488-d9aad112b632/Screen+Shot+2023-07-11+at+6.01.57+PM.png</image:loc>
      <image:title>Public Talks &amp; Programming - In Conversation with Artist Carmen Neely - Make it stand out</image:title>
      <image:caption>Installation View of Sometimes a Painting is a Prayer</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/public-programming/resource-southside-l3zw3-2c54y-jhacw-7az9x</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/1651874582975-R6WRJNOQL5H7GUECBFIF/download.jpeg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/public-programming/public-jamaicaartsociety-l3zw3-2c54y-jhacw-h6s63</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/6dfe5346-bed7-4412-b263-d127be6f379b/IMG-5379.jpg</image:loc>
      <image:title>Public Talks &amp; Programming - Jamaica Art Society Conversation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/public-programming/dancehall-folklore-l3zw3-2c54y-jhacw-5gw4j</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/0ebe5ef5-8cb3-4d66-9fac-738112acdfd0/IMG-5381+%281%29.jpg</image:loc>
      <image:title>Public Talks &amp; Programming - On Dancehall, Folklore and Queerness - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/public-programming/rupture-interventions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-13</lastmod>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/public-programming/curatorial-conversation-l3zw3-2c54y-jhacw-ry985</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/3db9b3c5-72f9-4d14-8abd-766088649f55/Screen+Shot+2024-06-17+at+11.47.30+AM.png</image:loc>
      <image:title>Public Talks &amp; Programming - Curatorial Conversation for Exhibition- All of Living is Risk - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/64140cf9-8fa1-49d6-9026-f0798f893cc9/Screen+Shot+2024-06-17+at+11.48.58+AM.png</image:loc>
      <image:title>Public Talks &amp; Programming - Curatorial Conversation for Exhibition- All of Living is Risk - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/public-programming/simonbenjamin-conversation-l3zw3-2c54y-jhacw-d4ayp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/782ad16f-29d0-4e31-9b8f-cc408fbe123f/Screen+Shot+2024-06-17+at+11.55.06+AM.png</image:loc>
      <image:title>Public Talks &amp; Programming - In Conversation with Simon Benjamin - Make it stand out</image:title>
      <image:caption>Simon Benjamin. Red Rock, 2020</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/public-programming/benjamin-conversation-l3zw3-2c54y-jhacw-syx9f</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/b5010f91-eb53-477b-b381-ea49c78c3034/Screen+Shot+2024-06-17+at+12.08.36+PM.png</image:loc>
      <image:title>Public Talks &amp; Programming - In Conversation with Simon Benjamin at Swivel Gallery - Make it stand out</image:title>
      <image:caption>Installation Image: Simon Benjamin, Native Diver</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/35c0b28e-d54d-4c80-b0d3-1d599ff7e360/Screen+Shot+2024-06-17+at+12.06.26+PM.png</image:loc>
      <image:title>Public Talks &amp; Programming - In Conversation with Simon Benjamin at Swivel Gallery - Make it stand out</image:title>
      <image:caption>Installation Image: Simon Benjamin, Native Diver</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/public-programming/hurley-curatorial-program-l3zw3-2c54y-jhacw-d4ayp-pb3z8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/93db788c-2b23-408b-b624-9d7143078504/ZacharyFabri_b_lr.jpg</image:loc>
      <image:title>Public Talks &amp; Programming - Denzil Hurley's To be pained is to have lived through feeling - Make it stand out</image:title>
      <image:caption>Zachary Fabri</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/0bfd7657-470a-4056-a7c0-2d80563413ea/Screen+Shot+2024-06-17+at+12.26.57+PM.png</image:loc>
      <image:title>Public Talks &amp; Programming - Denzil Hurley's To be pained is to have lived through feeling - Make it stand out</image:title>
      <image:caption>Zeelie Brown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/a5a8ec59-c575-4e57-97b5-40f29e6c7e2a/Screen+Shot+2024-06-17+at+12.22.04+PM.png</image:loc>
      <image:title>Public Talks &amp; Programming - Denzil Hurley's To be pained is to have lived through feeling - Make it stand out</image:title>
      <image:caption>Installation Image: To be pained is to have lived through feeling</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/7a134fbb-b5ad-45db-9f8c-0f64bcfb0006/Screen+Shot+2024-06-17+at+12.31.45+PM.png</image:loc>
      <image:title>Public Talks &amp; Programming - Denzil Hurley's To be pained is to have lived through feeling - Make it stand out</image:title>
      <image:caption>Installation Image: To be pained is to have lived through feeling</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gervaismarsh.com/public-programming/the-writers-l3zw3-2c54y-jhacw-g3827</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/627492cc88a77c49bdc90515/2bd2ff09-8fe8-499e-80c7-fe0c3cb4133f/Screen+Shot+2024-06-17+at+12.56.36+PM.png</image:loc>
      <image:title>Public Talks &amp; Programming - The Writer's Room: A Town Hall On Dance and Performance Writing - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
</urlset>

